Ravenna, UNESCO Mosaics Entry Tickets

Discover three renowned UNESCO World Heritage sites under one comprehensive ticket: explore the stunning architecture and ancient history of Ravenna alongside its iconic landmarks such as San Vitale and Sant'Apollinare Nuovo, St. Andrew's Chapel, and the Archiepiscopal Museum.

Ravenna offers visitors an opportunity to explore two significant historical sites within one day: the San Vitale and Sant'Apollinare Nuovo, both part of the Archiepiscopal Museum.

San Vitale, constructed in the 6th century, is renowned for its unique blend of classical Roman and Byzantine architecture. Its exterior walls depict scenes from the Old Testament through hundreds of tiny tiles, creating intricate mosaics. Nearby, there are mosaics dedicated to Roman emperors, highlighting their importance.

The nearby Mausoleum of Galla Placidia dates back to the first half of the 5th century and serves as a testament to Ostrogothic power. This ancient monument is now recognized as a UNESCO World Heritage Site, rich with hidden treasures.

Sant'Apollinare Nuovo was built by King Theodoric the Great in the 6th century, showcasing an architectural achievement unparalleled in its simplicity yet grandeur. This museum, located close to San Vitale, houses floor-to-ceiling mosaics from the Byzantine period. These mosaics were originally painted black by Pope Gregory the Great to maintain focus on prayer during the Middle Ages but were later restored after damage from World War I. The oldest mosaic cycle depicting the life of Christ is particularly noteworthy.

St. Andrew’s Chapel, situated within the Archepiscopal Museum, provides insight into the religious divisions of the early Byzantine era. It showcases mosaics detailing the lives of prominent figures and locations in Ravenna.

This site has been affectionately referred to as the "hidden pearl" of the Archepiscopal Museum due to its intimate setting for the bishops. Within its walls, one finds inscriptions, the cathedral treasure, and an ivory throne belonging to Bishop Maximian.

Lastly, the Neonian Baptistery, named after Bishop Neon, continues the work begun by his predecessor, Ursus. Its distinctive decoration on the entire mosaic dome dates back to the time of Bishop Neon.